Production began that year, with animators travelling to Australia to make location and character sketches from the sweeping vistas and their animal population. But the studio had never made a sequel before and along with the first home video releases of films like Pinocchio, this was one way in which the new bosses could make the back catalogue pay.Īside from nostalgia, 1986 had seen Crocodile Dundee become one of the biggest films in the world, which may have suggested the setting of the belated sequel in the Australian Outback. Based on Margery Sharp’s books about a rodent Rescue Aid Society that helps the children of the world, the original Rescuers had been released 12 years earlier and fans of the original would certainly have grown out of the target audience by the time the film was released. On the surface, this seems somewhat at odds with the aim to make the studio’s output a big box office draw once again.
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Surprisingly, “a sequel to The Rescuers set in Australia” was another of the successful pitches and the film was greenlit in 1986.Įnjoy a FREE TRIAL of Disney+, courtesy of Den of Geek! The gong show was a technique that Eisner and Katzenberg had used at Paramount and although the hit rate wasn’t high, the Disney equivalent was the breeding ground for the earliest forms of Oliver & Company, The Little Mermaid, and Treasure Planet. Even with a successful career and a family that she loves more than anything else, Naya says, "There's still a thirteen-year-old girl inside of me making detailed lists of how I can improve, who's never sure of my own self-worth." Sorry Not Sorry is for that thirteen-year-old in all of us.They moved the animation department off the Disney lot, held unsociably early department meetings on the weekend and fostered a competitive atmosphere by holding a regular gong show for feature ideas, in which anyone from animators to custodians could come in and pitch movies. Getting my financial disasters out of the way early-before I was married or had a family-so that the only credit score that I wrecked was my own. Laughing at the gossip instead of getting upset by it. Having people not like you is a risk you have to take to be real, and I'll take that over being fake any day.
Not Sorry: - That I don't always get along with everyone. Falling in love with the idea of a person, instead of the actual person. Some things are best left to the experts, and hair dye is one of them. At-home highlights and DIY hair extensions.
So many moms and teenage daughters don't get along-we just have to realize it's nothing personal on either side.
After her rise and fall from early childhood stardom, barely eking her way through high school, a brief stint as a Hooters waitress, going through thick and thin with her mom/manager, and resurrecting her acting career as Santana Lopez on Glee, Naya emerged from these experiences with some key life lessons: Sorry: - All those times I scrawled "I HATE MY MOM" in my journal. Whether it's with love and dating, career and ambition, friends, or gossip, Naya inspires us to follow our own destiny and step over-or plod through-all the crap along the way. Navigating through youth and young adulthood isn't easy, and in Sorry Not Sorry, Naya Rivera shows us that we're not alone in the highs, lows, and in-betweens. Funny and deeply personal, Sorry Not Sorry recounts Glee star Naya Rivera's successes and missteps, urging young women to pursue their dreams and to refuse to let past mistakes define them.
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